HUNDRED YEARS GALLERY presents: Editions
Celebrating its 4th anniversary, the Hundred Years Gallery presents ‘HYG Editions’, a collection of never-seen works from 8 artists that have collaborated with the gallery before.
Celebrating its 4th anniversary, the Hundred Years Gallery presents ‘HYG Editions’, a collection of works from 8 familiar faces that have collaborated with the gallery before. The exhibition runs parallel to our programmed exhibition ‘The Decline of Conscience’, a photo series of Nick JS Thompson displaying the inescapable problem of gentrification in London.
For this special occasion, the gallery is treating its visitors with limited edition prints, selected drawings and collage work from artists Yvonne Yiwen Feng, Helen Bermingham, Victoria Kovalenko, Maey Lemley, Nick JS Thompson, Lex Thomas, Jaime Valtierra and Rita Says, as a thank you for their interest in the gallery. They also see this exhibition as an opportunity to show they are extremely grateful towards the artists that have been more than supported for the last 4 years and to encourage new talent to engage with the project.
Helen Bermingham.'Untitled'. Edition of 5. Gicleè print on Hahnemühle paper 22 x 29.5 cm. 2013
If you grown a liking for any of the exhibited artists there will be a more than pleasant surprise awaiting at the gallery. Besides an exciting collection of exclusives as well as never-seen artwork, the Hundred Years Gallery will be hosting ‘Editions’ workshops for community groups and schools, giving possible up-and-coming artists the opportunity to get involved, learn, play and explore all there is to know about the mysteries of art. And here is your extra bonus: the artists showing their work at the exhibition will be your workshop teachers.
The exhibition will be running from November 19th until December 20th. However better go sooner than later, it will be over before you know it and this exciting and fruitful event is one you don’t want to be passing out on.
Editions launches with a private view November 19th 2015
The Decline of Conscience by Nick JS Thompson
The Hundred Years Gallery, 13 Pearson St, London E2 8JD
Fuzz Club Festival – Edition 2015
Somewhere under two railway arches, psychedelic sounds and rock-and-roll beats are echoing and exclusive vinyls are calling your name.
Somewhere under two railway arches, psychedelic sounds and rock-and-roll beats are echoing and exclusive vinyls are calling your name.
This November 13th and 14th, Independent label, online store and production company Fuzz Club, known for bringing in the best experimental music and upcoming music genres, celebrates the 2015 edition of their annual event: Fuzz Club Festival. Co-presented with Bad Vibrations, the festival has gathered their go-to psych and underground bands from Europe and places beyond, as well as some of their recently spotted talent.
The musical madness is divided over two stages located inside the London Fields Brewhouse. Known for its cultural versatility and popularity in the music industry, the venue makes for a perfect match. The line-up features artists such as Camera, The Telescopes, Lola Colt, The Janitors, Radar Men From The Moon, and Dead Rabbits, making the festival is a first-class feast for lovers of psychedelia, noise, garage, blues, folk, electronica, basically anything that doesn’t have your everyday pop song sound.
With The KVB chosen as the main act for this event, you’ve got your go-to performance already set. Prepare for a headline full of shoegaze guitars, hypnotic voices and abstract visuals, causing the show of the Berlin-based duo to be a rare experience on its own.
As for the die-hard fans planning to be present at the event, Fuzz Club has some exclusive pre-releases of upcoming albums, as well as a selection of releases including sold out vinyl editions from Austin Psych Fest up its sleeve. If that wasn’t enough, the production company is launching the Fuzz Club Black Editions, allowing everyone to devour up to 10 copies, selling them exclusively at the festival.
Fuzz Club London 2015, November 13th & 14th at London Fields Brewhouse
FRIDAY NOV. 13th
THE KVB
CAMERA
THE TELESCOPES
10,000 RUSSOS
NEW CANDYS
THROW DOWN BONES
SATURDAY NOV. 14th
THE MYRRORS
LOLA COLT
SONIC JESUS
MUGSTAR
THE CULT OF DOM KELLER
RADAR MEN FROM THE MOON
THE JANITORS
THE ORANGE REVIVAL
DEAD RABBITS
BUY TICKETS HERE
Early Bird from £12.50
Weekend from £25
Doors:
Friday at 7pm
Saturday at 4pm
Simon Payne’s NOT AND OR to screen at Close-Up Film Centre
On the 16th April the Close-up Film Centre in Shoreditch will play host to a night of weird and wonderful digital creations by abstract filmmaker Simon Payne.
On the 16th April the Close-up Film Centre in Shoreditch will play host to a night of weird and wonderful digital creations by abstract filmmaker Simon Payne.
Close-Up is committed to supporting and developing the exhibition of independent and experimental cinema, focusing on the cross over between the arts and film culture.
The night is part #4 of their Teaser Screening series of videos. Simon’s film ‘Not And Or,’ will be screened last along with some of his other digital exerts such as, ‘Colour Bars’ and ‘Cut Out.’
The films all turn on the concept of indefinite qualities of images, colour, shapes and sounds from shot to shot or moment-to-moment. Hence, his erratic film making style, which sees Payne subvert the ideas of what we think we see by manipulating time and space.
In ‘Not And Or’, we see black and white quadrilaterals spinning in virtual space that alternate with the same static shapes re-filmed from screen in real space. The second half of the piece is the same as the first, but flipped, reversed and re-filmed again, through successive generations – adding while taking away.
The program includes pieces from 1997 to 2014, from observational films to hard-edge abstraction primarily focused on experimental video, promising to open up your mind to the different dimensions at the interface of digital design.
The screening is a futurist’s call for new autonomous cinema for the modern age, helping to merge the lines between artistic mediums of art and film. The event ultimately calls upon us the viewers to debate the notion of what we consider as art and the question: Can video installations be considered a form of artistic expression in the same way film is?
Expand the realm of art in this rare screening of mind-altering digital videos. Alternatively, invest in a worthy membership at the Close-Up Film Centre that allow committed film enthusiasts to raid their huge archive of experimental and independent films and discount admission on film screenings.