Dele Sosimi
Dele Sosimi stands out as one of the most active musicians presently on the Afrobeat scene worldwide. Here he talks about duty to Afrobeat, relentless performances and his latest CD.
Dele Sosimi stands out as one of the most active musicians presently on the Afrobeat scene worldwide. Here he talks about duty to Afrobeat, relentless performances and his latest CD.
His tutor and guru was one of the world’s most feted and controversial music icon - Fela Kuti, also known as Fela Anikulapo Kuti or simply Fela - before his family, bandmates and friends and indeed the world was rocked by his passing on August 2, 1997, from Kaposi's sarcoma which was brought on by AIDS. Nonetheless, this loyalist, representative and artist - Bamidele Olatunbosun Sosimi, known as Dele Sosimi, from teenage keyboard player for Fela Kuti's Egypt 80 to bandleader for his son Femi Kuti's Positive ensemble, was tutored and raised in Fela Anikulapo Kuti’s shadow and worked and travel around extensively with Fela around the world at the pinnacle of early 70s Afrobeat fever. Picked by Fela to join his band at a somewhat tender age, he was still a young man when sharing Fela’s Glastonbury stage in 1984. But be that as it may, Dele Sosimi - born in Hackney, East London, raised in his native Nigeria from the age of four, refutes to slow down. He is here and now one of the leading forces/important voices of Afrobeat holding fort the Afrobeat music on the Afrobeat scene internationally.
After Fela’s passing in 1997, Dele went on to concentrate on his solo career and, with meticulous endurance, sliced out his own Afrobeat trophy in London, where he now dwells. Totally, this Nigerian-British boy is done admirably well. Sosimi has helped define the sound alongside some of its most iconic figures – he is an inspiration to many. Check this out: Vocalist? Tick. Keyboard player? Tick. Producer and Afrobeat giant? Tick. And the founder of his own orchestra? Tick. In addition more recently he was the Musical Director & Afrobeat Music Consultant for the award winning musical FELA! Currently on a global tour. And what’s more? Sosimi is an Afrobeat Composer, Producer, Musician, educator and instructor (via London School of Afrobeat) as a Visiting Lecturer at London Metropolitan University, Trinity Laban Conservatoire of Music and Dance - the UK's only conservatoire of music and contemporary dance and Cardiff University.
Once again an experience awaits with another marathon session (four-hour-non-stop) of keeping Afrobeat, the music, spirit & legacy of Fela Anikulapo Kuti alive in London at The Forge, Camden, UK
Saturday 28 November 2015. The Dele Sosimi Afrobeat Orchestra are a gang that must be seen live in all its astounding fierceness. Dele is returning to London for his third Album lunch gig ‘You No Fit Touch Am,’ a 7-track collection of compositions – his third solo album and his first for 10 years that is immersed in socio-political messages and showcase classic 1970s Lagos song writing. “You No Fit Touch Am” was recorded in London with a crew of long time players and producer Nostalgia 77 (Tru Thoughts) presenting a 21st century clarity to the mix. There's no silly compromises to the music here though, just a thoroughly modern sense of energy in the mix with an aptly heavyweight bass charisma.
Dele Sosimi: Afrobeat Vibration is my way of keeping Afrobeat music alive and accessible to Afrobeat music lovers and musicians in the UK bi-monthly, are creation of the spirit and ambiance of Fela's Afrika Shrine.
Why are you staging a four-hour-non-stop musical marathon? Why 4 hour non-stop and why the chosen venue? Can you really keep this up?
Dele Sosimi: I stage it because it is a duty that must be done by me as an ambassador of the genre and culture. It is an experience hence it is 4 hours nonstop as we take you on a journey based on the repertoire selection for the night. We initially used the New Empowering Church in Hackney till November 2014 when the lease expired. Since then we used the Forge in Camden once before moving to Shapes in Hackney Wick May 24th 2015. We chose Shapes because it had the ambience size and potential for a late license till 5am. The importance! People or musicians who did not have the opportunity to listen to live afrobeat now have a regular bi-monthly platform that we have kept going for 7 years - last Saturday of January, March, May, July, September and November which is usually the anniversary month. We cover a wide range of Felas Classics and original new compositions featuring a wide range of guests and young musicians who have either attended one of my Afrobeat masterclasses or workshops. This year we are celebrating the 7th year of keeping it going.
Could you reveal names of guest stars contributing to this extravaganza on Friday November 28th? And what should fans expect?
Dele Sosimi: We never know who will turn up until the night itself bit we have had Tony Allen, PA Fatai Rolling Dollar, Cheick Tidiane Seck, Afrikan Boy, Breis, Shingai, Byron Wallen, to name a few.
Fans should expect to be delightfully Afrobeaten up.
You have a new album out - third album -”You No Fit Touch Am”. Tell us more about this album - and why the title; "You No Fit Touch Am?"?
Dele Sosimi: Release earlier this year by WahWah45s on the 24th of May, the literal meaning is “You cannot touch it”. On a conceptual level "the thing is too cool", "too tasty to be messed with", "you can't even come close", "and it is beyond you". "The jam just baaad", "don't look at it with common eye" with regards to what I do, what we do, the experience we provide, the spirit of music. Identity my 2nd Album was released 10 years ago, and I had made up my mind the third Album would have to wait for the right conditions, right record label at the right time with an offering of a clear development of the Afrobeat idiom, an important restatement of what Afrobeat is about, in the current scene where the term is used quite indiscriminately (and unfortunately confused with the rather more superficial “Afrobeats”). I strongly believe this is now the case. Suffice to say its taken 10 years but once the record deal was in place from recording, production to release nine months as most of the songs had been written years ago.
What is your message here?
Dele Sosimi: It depends on which angle you look at it from. Spiritually be open, tolerant and aware, appreciative and humble. Musically, there is a jewel of infinity contained here that will most likely be missed by many, who lack the ability to see the greatness in small things. On the other hand, beauty will be discovered and found here by many. Mainly the message draws attention to the state of things worldwide today with songs like "Na My Turn" (Elections worldwide with special attention on so called democracy in Africa pre and post elections) ~ “E go betta” (Despite facing abject poverty the admirable spirit of resilience and resolve to carry on and soldier on with the song of hope for a better tomorrow)~ “We siddon we dey look” – (Ferguson incidents, Boko Haram, ISIS and most recently Xenophobia) “Where We Want Be” (The intolerance prevalent in world society with the message being bring love back BIG TIME!) “Sanctuary”- (In line with Fela’s “Music is the weapon of the future” message. In this case music being the Sanctuary where you recharge your batteries to keep on) and “You No Fit Touch Am” as earlier indicated.
What drives Dele Sosimi?
Dele Sosimi: Breath, life, love and family drives Dele.
Saturday 28 November 2015
Shapes, London, UK
Shapes, 117 Wallis rd. Hackney Wick E9 5LN
Cost of Tickets: £10 Adv. £12 Otd
Tuesday 09 February 2016
Kings Place, London, UK
Mr. Gresty : A brander in its most innovative interpretation
A brander by nature, an illustrator by heart, a curator by interest; but for everyone else just Mr. Gresty.
A brander by nature, an illustrator by heart, a curator by interest; but for everyone else just Mr. Gresty.
Being a designer for a multitude of companies, what makes you want to work with a brand?
A lot of my design work is branding start-up companies. I especially enjoy this area. Seeing the client’s excitement and enthusiasm towards my ideas and their new brand. I love working together on something like that, something new and fresh.
How would you describe your design identity and how does it show in your work for other companies?
I love to work with vibrant and positive colours and I always use a sense of humour and simple shapes in my work. In most cases my clients have seen other projects of mine and ask me to do my thing for them.
Tell us about the process of becoming the multitasking artist you are today.
I can’t let myself run out of things to do, if I do I feel lost. My system consists of working on all the commissioned projects first and then filling the gaps with all those personal projects. The variety of work keeps me stimulated.
You are a graphic designer, an illustrator, an author, a curator... How did you get involved with such a variety of work?
If I have an idea that in my opinion is worth trying, I’ll give it a go. As I work for myself and don’t have employees, I have the time and space to experiment. All those job titles share a characteristic; they are all creative solutions to a problem.
Many people say this is the future of the creative industry, the more you can do the higher you will get. Do you believe this is true?
I think that in the commercial world this could look good on a CV but on the other hand you can come across as a jack-of-all-trades, master of none. Some creatives will evolve their style and move on to the thing that they’re passionate about and pick up skills along the way. I believe I am one of those last creatives.
Working with typography a lot, what is your favourite font?
I don’t have one. Helvetica? No I don’t have one.
Is there a creative you are dying to work with?
I’ve never thought about it. To be honest I prefer to work on my own, but I am open to offers!
When did curating become a part of your career? What is it that attracts you to the field and what is the craziest idea you have ever had for an event?
In 2010, I started screen-printing and enjoyed it very much in Uni. I was in a bar in Clapton, Hackney, soon after speaking to the owner about the art on his walls, he said if I was interested I could put my work up! I said yes. At this point I had only created two typographic screen-prints. After a few solid weeks of printing lots of ideas from my sketchbook, I hung my first solo exhibition. Five years later and I’m getting ready to hang my 22nd exhibition. With the mixed exhibitions I enjoy seeing the variety of creative solutions to the same brief and like seeing my name in the line-up with artist who I admire.
The most creative and challenging exhibition was Whisper, based on the old game ‘Chinese Whispers’. I illustrated the first piece and gave it a title, I passed that title to the next artist and told them they could change the title slightly and that new title was their brief, then I passed their title to the next artist and so on!
You have been curating LHR exhibitions for the past two years. In your opinion, what is special about this 15th edition?
The 15th LHR Exhibition – The Things I Think About, When I Think About Thinking, has been the most open brief yet. I had been thinking about the mainstream media and that if something is bland and non-threatening it does well. I have created a small handful of pieces over the last few years that I am happy with and others that I’m personally not keen on; I have noticed that these last ones sell really well and my favourite pieces not so much. So the brief was for the artists to submit their very own favourite personal piece, not following trends or public demand.
The LHR exhibitions have taken place in bars, the entrance doesn’t cost a penny and is open for everyone and the artists are as free as can be in the work they deliver. All these elements make for an experience that is everything but your everyday gallery stroll. What inspired you to create these events?
I wanted to be able to hang a collection of work, where lots of people would see it, hear about the artists and wouldn’t have to pay to see it. At the same time I wanted it to be available to purchase and when a piece sells for that artist to be able to keep 100% of the money. I don’t think a bar is the best environment for art but it helps me achieve the issue of cost. All it takes is some time and life is long, I have lots of free time!
The Things I Think About, When I Think About Thinking
November 6 - January 31, 2016 at The Hanbury
Line-up: Mr Gresty, Claire E Hind, Ian Viggars, Freya Faulkner, Shona Read, Emma Russell, VJ Von Art, Lee Bromfield, James Dawe, Jake Townsend, Wiktor Malinowski, Dan Buckley, Dan Huglife, Jeff Knowles, Dylan White, Simon Fitzmaurice, Steven Quinn, Ricky Byrne, Stina Jones, Silvia Carrus, Julian Kerr, Nathan James Page III, Sean Gall, Josh Bond, James Morley, Craig Keenan and Raiph Vaughan.
This is the 15th LHR exhibition and sadly my last. I will keep you posted.
LHR Exhibition curated by Mr Gresty. 2013 - 2015
gresty@mrgresty.com
HOO HAs - Yankee... The EP Launch
Yes you read that right. There is a new band in the undesiccate puddle that is London and they’ve put their money on the name: HOO HAs. Celebrating their new EP, ‘Yankee’, the band is inviting you all to their launch party.
Yes you read that right. There is a new band in the undesiccate puddle that is London and they’ve put their money on the name: HOO HAs. Celebrating their new EP, ‘Yankee’, the band is inviting you all to their launch party.
As unapologetic their name appears, as equally insolent is their new sound. Yankee’s penetrance causes the song to be stuck with you for weeks, leaving your head spinning from the dynamic guitar sounds and the raw voice welding over them. Mixing up punk rock with an old school blues feel, Yankee echoes innovation in an effortless and straight-out-of-the-heart kind of way. As for the message behind the tune, the band describes it as a battle between the self and society. “Some say we are a product of our society – touching on moral and political frustrations too. Like we haven’t heard enough. Where do you live?”
If the boys blew you away with their music, there is no other option but for you to head over to Dalston tonight, as HOO HAs is hosting their first single launch party at The Victoria. The doors open at 19:30, and you will be welcomed with beats from Mystery Jets, Desert Planes, La Horse, and the band I’ve just been going on and on about (how could you not).
HOO HAs' 'Yankee' Single Launch at The Victoria
+ (Jack) Mystery Jets DJ Set - Support from Desert Planes + La Horse
27 October | Doors - 7.30pm (Live Room)
The Girl of Stuff (Tracy Gray) – GET STUFFED
The Girl of Stuff's first photo book/ zine/ box is being launched soon at Parlour Skate Store on Hackney Road, the very location I housed my own exhibition Morella in 2014.
The Girl of Stuff's first photo book/ zine/ box is being launched soon at Parlour Skate Store on Hackney Road, the very location I housed my own exhibition Morella in 2014.
Get Stuffed is a photobook with a difference, the book takes as it's main underlying theme the skateboarding scene it documents, but very few of the photographs depict skateboarding itself, focusing rather upon what happens once the skateboard is put down. Described in the press release as being inspired by the Euro party vibes, lurkers, urban messages, skate rats, London locals, boozing, cruising, winning and losing.
The launch is themed around pizza, and the book is being presented in a hand screen-printed pizza box and with pizza-base(d) puns on stickers.
(Pun intended, sorry).
Free pizza will be distributed and there will be pizza bunting on the walls.
Because why the fuck not.
BM – You are very involved in skateboarding, what is it that attracts you to the subculture and why did you decide to start documenting it?
TGoS – So it all kinda started in around 1997... My first full-time job I was working in a photo lab (all analogue back then, none of this digital stuff) and a year or so before I had made some new friends through the under-age drinking scene that was the 'Ferryman's Tavern' in Maidstone, Kent. That pub sits along the river Medway, but more importantly it was next to the prime skate-spot that is the Law Courts. The new friends I had made would skate all day over the weekends. And for the rest of us that didn't skate, we'd hang out on the brick banks of the Law Courts drinking pints in plastic cups bought from the pub and watch the boys skate. We'd generally end up heading out to our late-night haunt 'Union Bar' after and I'd be armed with my Konica EU Mini camera, taking snaps of our antics and having them all developed, printed and even making enlargements for myself and my friends by the Monday lunchtime. It was a carefree life back then! My passion for photography didn't stop there, it continued through the rest of the nineties and into the new millennium when I went back into full-time education and studied BTEC Foundation in Art & Design (specialising in Photography) and then onto a BA in Photo Media at the Kent Institute of Art & Design (KIAD). The good friends I made back then are still in my life today and think it's those friendships that attracted me to skateboarding and their passion for it, rather than the skateboarding itself. I'm not sure if I'd have gravitated towards skateboarding without them. I started (trying!) to skate last year, I think I'm better off behind the camera lens and enjoying the party.
BM – Most of the photographs don’t actually document the act of skateboarding, why did you decide not to focus on it for this show?
TGoS – I've prolifically taken photos for nearly 20 years and as we are all multi-faceted human beings, inspired by many, many things; It seems obvious to include as many things that make up 'me' in my work. I also suppose that my nickname of 'The Girl of Stuff' is a reflection of that too. ;) I like seeing something beautiful, silly or absurd in the every day, mundane things we are surrounded by in our urban landscape. Documenting something that most others would miss or possibly even dismiss.
BM – I’m loving the pizza theme, but what on earth made you come up with that?
TGoS – I have wanted to make a zine of my photography for a while now. But I didn't want to have something constructed in such a way where the recipient wouldn't be able to hang one of the photographs on their wall or pass onto a friend without destroying the zine itself. My mate Tadej Vaukman from 585 Zines ( @585zines ) in Slovenia posted a video clip on Instagram where he had loose 6x4 prints in an old VHS cassette box with a photocopied sleeve which I thought was a seriously genius idea. I didn't want to rip him off, so I started thinking of other ways to package a set of photographs without the use of binding or staples. Living in Peckham, it didn't take very long before I saw a group of school kids outside one of those tacky take-away places eating from these mini pizza boxes. I started looking on eBay for pizza boxes, found a good deal and then made a call to my best friend Stu at Lovenskate to see if he could help me screen-print a design on it. He basically said he'd do it for free. I think he's just stoked to see me get over a decade's worth of happy-snapping finally into something I can share with the world. I have to say, I'm pretty stoked too.
BM – From the looks of the photos, you have had some pretty intense evenings. Describe one which relates to a photo in the show.
TGoS – HaHa! Yeah, there's lots of party photos... I really like the one of Cäptn Clepto in the shower. This was taken a couple of years back when a group our friends from Cleptomanicx in Hamburg came over for Notting Hill Carnival. Cäptn was kinda like the brand's mascot. He's a really rad dude and he'd brought an inflatable pink flamingo with him from Germany, which then became our kind of marker to keep our big group of Brits and Euros together in the madness of Carnival. We ended up going to Lilli's friend's house for an after-party and they happened to have a flamingo shower curtain. It was too good an opportunity to miss. So we snuck off into their bathroom and Cäptn got in the bathtub so we could take pics of him with the inflatable flamingo and the flamingo shower curtain. He didn't stop there, he found someone's wash mitts along the side of the tub and ended up wearing them all evening and into the next morning. Proper jokes!
BM – Have you heard of Macaulay Culkins band The Pizza Underground, and will they be providing the soundtrack?
TGoS – I can't say I've listened to them, but I've seen stuff on the internet about them and not all of it good. I'm gonna have Bryce from Parlour Skate Store on the decks for the evening... But I'm sure he can take requests if you ask him nicely.
BM – Please provide some vegetarian pizza. See you then.
GET STUFFED launches on the 23rd from 8pm and then remains open for the following week.
59 Hackney Road, E2 7NX
Hackney-made acrobatic expression of ‘Bromance’
Bertil Nilsson’s new short film ‘Bromance’ tells a story of brotherly affection through the artistic movement of acrobatic dance.
Bertil Nilsson’s new short film ‘Bromance’ tells a story of brotherly affection through the artistic movement of acrobatic dance.
Swedish born Nilsson collaborated with the award winning, experimental acrobatic company, Barely Methodical Troupe, to create this 3-minute short.
Nilsson describes his film about the exploration of “…intimacy of physical interaction between guys; of their bromance. The concept of the film was to set something unusual in the real world, almost a documentary in the most abstract of senses.”
It’s refreshing to watch the affection of three men depicted through this close union of dance moves that interlace with each other to create this free flow choreography.
The familiar East London streets of Hackney where the boys relay their professional dance routine gives this film its contemporary edge, which paired with the theme of the film, translates as a beautiful and modern depiction of love and friendship.
Nilsson is used to pairing dance with film, as a trained photographer, he shot his collection ‘Naturally’ based on contemporary dance expressions in natural surroundings.
There is a level of purity in Nilsson’s work in his natural subjects and themes, which elevate its beauty and resonates with its audience. After watching ‘Bromance’, it left me with a profound feeling of togetherness you cannot find easily with just anything.
Watch Bromance and check out Bertil Nilsson’s photography collection
Images via Bertil Nilsson website